Friday, 13 January 2017

Venus in Fur (2013)

There have been numerous films titled "Venus in Furs" (plural) based on the infamous novel by Leopold von Sacher-Masoch, who gave his name to both S-M and interesting legacy. However most of these have used just the title for their own spin on sexual perversions. You can find this title as part of a 1967 triple bill from Something Weird Video. Then there are two 1969 versions -- the slightly more polite Italian version starring Laura Antonelli known as "Devil in the Flesh" and the garishly coloured soft-ish porn version from schlockmeister Jess (Jesus) Franco released as "Paroxismus". To be honest I can't recall much about this movie from the cheapy Spanish auteur, (and for my sins I have seen most of his trashy output). His version has a young musician finding the corpse of a woman on a beach, who returns from the dead to take revenge on the sadists who abused her. With a supporting cast that includes Klaus Kinski and Dennis Price, I should really remember it. There's also a 1994 Dutch flick that remains obscure.

However the above French film from director Roman Polanski is a class act, based not on the novel but on a stage play by David Iver. It's a two-hander on a single set, but it is 100% absorbing thanks to the superlative acting from Emmanuelle Seigner and Mathieu Amalric. The success of this movie is its cast rather than its story. Seigner's would-be actress arrives late at the theatre where writer-director Amalric is holding auditions for his new play. He is about to leave but she bullies him into letting her read and he reluctantly agrees. As she morphs from know-it-all tart to consummate stage diva his own reading of the lines moves from rote responses to heart-felt emotions as he succumbs to the power of her acting and her sensuality. The audition continues despite the occasional telephone calls from his impatient fiancĂ©e until the roles become reversed with his becoming the dominatrix and her becoming the obedient servant. He dons the high heels and 'fur' and even a smear of lipstick, so reminiscent of Polanski's own turn in "The Tenant" (1976), a study in humiliation. Amazingly, Amalric begins to resemble the director physically more and more as the film progresses.

I've always known that Almaric is a fine and prolific actor appearing in dozens of movies since his debut in 1984, including English-speaking roles in recent years, like the villain in "Quantum of Silence". However I have surprised myself by discovering how remarkable Seigner is in this movie. I was first aware of her opposite Harrison Ford in 1988's "Frantic" and have seen her in various roles since, most recently in "In the House". Yet none of her turns have captured my fancy, even her previous pairing with "Amalric" in "The Diving Bell and the Butterfly" where he alone took centre stage. Married to Polanski since 1989, she has previously appeared in only two of his films "The Ninth Gate" (1991) and "Bitter Moon" (1992) and I have but the vaguest recollection of her acing chops in either. However in this movie Polanski has worked his magic, as he has often done for his leading ladies, and she is magnetically superb. 

As an unrelated but fascinating aside, Almaric's mother is from a Polish-Jewish family and was born in the very village where the Polanski family lived prior to World War II.  
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