I didn't write about the BAFTAs this year since they are becoming unwatchable, as so-called 'national treasure' Stephen Fry's self-centred bonhomie and feeble jokes grate more and more. His introduction of Tom Cruise deserves to go down in infamy...
So on to the Oscars and yet another new host in the attempt to find someone to match the classic Bob Hope, Johnny Carson, and Billy Crystal years. I had reasonable hopes for the no-longer young Dougie Howser in the form of Neil Patrick Harris, who has both song-and-dance experience and a reasonable record of hosting other award shows. However it was something of a wash-out and I would be surprised indeed if he is invited back next year. While his opening number was fairly clever the remainder of his presentation became flatter by the minute -- his scripted patter not connecting with the audience and his ad libs more like damp squibs. I've read that he had a support team of some l4 people acting as writers and dressers but I fear they didn't earn whatever exorbitant amount they were probably being paid.
And the show not only over-ran the scheduled time but was also overstuffed in a number of boring ways; I can quite understand why viewing figures were well down. For a start there was too much of Harris's shtick about his predictions for the evening in a locked box on stage with all to be revealed at the show's end. Then there was the complete omission of the themed compilations which I for one anticipate each year, too much focus on the nominated songs and their unending renditions, and far too much using the stage for political burbling (earlier winners being drowned out after their allotted 45 seconds but the A-listers being allowed to waffle on and on.) Even the 'In Memoriam' section suffered by not showing clips from the deceaseds' careers, followed by an endless dirge from Jennifer Hudson. Only the 50th anniversary celebration of "The Sound of Music" with Lady Gaga and Julie Andrews was truly memorable.
While it is probably politically incorrect to make the following comment, that's not to stop me! The Academy was criticised for its largely all-white list of nominees, and the show's producers seem to have tried to compensate by enlisting a plethora of black presenters and by giving the Academy President -- who happens to be a black lady -- the floor for a long and basically political speech. Even the standing ovation given to the winning song "Glory" from "Selma" seemed to be part of this overt compensation. It's a nice song but I'll be dipped if I can see where rap fits into a period piece.
What about the actual awards you may ask. As usual I have not seen many of the nominated films and performances (although I certainly have seen "Birdman" and "The Grand Budapest Hotel" which were the night's main winners.) However I have read enough about most of the movies and performances to have some fairly reasoned opinions. The Best Supporting Oscars to Patricia Arquette and J K Simmons came as no surprise to anyone, as did the long overdue award to Julianne Moore as best actress. (Parenthetically here, she also won this award for "Still Alice" at the BAFTAs despite the fact that the movie has still not opened in the U.K. -- would someone please explain that to me). And I'm glad that the final swing toward "Birdman" did not deprive Eddie Redmayne of the well-deserved best actor award. Michael Keaton gave a brave performance and may have been a sentimental favourite, but Redmayne's transformation into Stephen Hawking was a tour de force.
As for "Birdman" taking the top prizes, I'm not so sure these were deserved. I've not yet seen "Boyhood" and am in no hurry to do so, but I think that any film which is twelve years in the making should have received more honours -- possibly for best film or best editing, since I doubt that the largely improvised acting required much directing from Richard Linklater. I would also have preferred the award for original screenplay to have gone to Wes Anderson for "Grand Budapest". Finally, as I wrote when I reviewed "Birdman", Emmanuel Lubezki's award-winning cinematography was brilliantly done but totally seasick-making.
It has been noted that audiences are losing interest in the awards ceremony because it remains determined to honour so-called artistic integrity rather than popular taste. In this context it is fascinating to note that the blockbuster best picture nominee "American Sniper" has earned more money at the American box office than the other seven nominees put together. Also it is somewhat inexplicable why the very successful "The Lego Movie" was cold-shouldered in the animated feature category. The Academy sometimes moves in mysterious ways...
Being the buff I am, I'll certainly be back next year for my annual dose of excess in its many forms, but the ceremony would benefit from a good re-think.